Schoenberg Quote of the Day

shoen

There was a student who thought that he was writing something ‘modern’ when, in the fourth measure, he modulated from G major to Db major, then two or three measures later to B major. But within Db Major and B major he behaved just as tamely as in G major, where he used scarcely more than tonic and dominant. I showed him his error by transposing everything back to G major, uncovering for him the unimportance, the monotony, and the harmonic wretchedness of his melody in its true form. He caught on when I asked him if he considered it especially reckless to carry the same philistine behavior from G major to Db and B.

From Schoenberg’s Harmonielehre (1911)

“Harmonic wretchedness” is my new phrase.

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Art, to be fully appreciated, must be true to contemporaneous life. It is not that we should ignore the claims of posterity, but that we should seek to enjoy the present more. It is not that we should disregard the creations of the past, but that we should try to assimilate them into our consciousness.

-Okakura Kakuzo