simon hutchinson

composer

I’m going to be presenting a concert of my music, both electronic and acoustic, at my alma mater, Bates College next month. Thinking about the venue, I decided that the performance of my fixed-media pieces could be enhanced by adding a video component, so I enlisted the talents of fellow Bates alum Chris Hoover. Here is one of the videos that he created, and that will be presented at the concert next month, “hatsuyuki”


right-click here to download iPhone-ready video

This piece is based on a text by Japanese poet Matsuo Basho (1644-1694). The text, “hatsuyuki ya suisen no ha no tawamu made,” translates to: “First snow, daffodilsʼ leaves, until bending.” (meaning: “The first snow is just enough to bend the leaves of the daffodils.”)

The inspiration for the visual portion of this piece draws directly from the first word of the text, hatsuyuki. When the first snow falls, it often melts on impact with the ground – still warm with the very last of the late-fall sun’s energy. The first snow marks a discrete transition between two seasons, made palpable in this film by the constant motion of the clouds in the background and quick jump-cuts between the cold weather outdoors and a man wearing a scarf and keeping warm indoors.

Gamelan Tuning

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gamelan

panoramic photo by Jon Bellona
click for larger view

A few weeks ago, November 19th-22nd, I had an opportunity to work with Wayne Vitale from Gamelan Sekar Jaya in tuning the University of Oregon Gamelan. This was an incredible unique experience and, though there were a few repetitive tasks, really educational in both in regard to the gamelan and to the physics of sound in general. I came out of the weekend with a number of ideas to explore in future compositions.

Anyway, we spent a lot of time doing repairs to the mallets, resonators, and wood of the instruments, and, as you’re probably imagining, we accomplished the “tuning” by carefully applying angle grinders to the bronze keys and pots of the instrument.

Last Saturday was the TaiHei Ensemble Concert, our Pacific-Rim ensemble. I realized the day of the concert, but every single piece on the program had some degree of improvisation to it, though that improvisation came in many different forms.

Anyway, I highly recommend that you give it a listen. I’ve posted the MP3s on the TaiHei Ensemble Site on the media page. It’s a great ensemble, this concert was four performers: shamisen, percussion/trumpet, saxophone/hulusi, and tuba… I don’t know how many other people can claim they played in a quartet for shami, trumpet, sax, and tuba.

Emily Dickinson

This has been a very choral month for me with a reading from Revalia, an Estonian men’s choir, and a performance by Sospiro, a Eugene-based new music choir under the directorship of Chris Prosser.

I composed both of these pieces in September, and, due to time constraints, chose to set two short poems by Emily Dickinson:

Touch lightly Nature’s sweet Guitar
Unless thou know’st the Tune
Or every Bird will point at thee
Because a Bard too soon —

…and…

In this short Life
That only lasts an hour
How much — how little — is
Within our power

I really enjoy Dickinson’s pithiness probably for the same reasons that I admire Basho’s haiku, and the focus on humanity (as opposed to haiku’s focus on nature and imagery) gave me a lot to work with. Although I hadn’t intended so when I composed them, I think that the pair makes a nice set, probably because I composed them so close together in time, and at such a rate I wasn’t aware of how much each piece was borrowing from the other!

Enjoy:

Touch lightly Nature’s sweet Guitar
for mixed choir, performed by Sospiro; Chris Olin, conductor

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In this short Life
for men’s choir, performed by Revalia

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Happy Halloween!

Recently, I’ve been playing around with some sound design using recorded shamisen sounds, and I found that filmusik, a group up in Portland, OR, that re-scores public domain films for live performance, was asking for submissions to score a couple of short clips of one of my favorite movies of all time….

Gamera vs. Guiron

guiron

They’ve posted the submissions and you can check them out via the link below. Mine are a little more abstract than the others (which are also amazing!), maybe I’m not quite cut out for this film-scoring thing.

But it was a whole lot of fun.

filmusik’s monster movie music

consonance MP3s

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korea

Apologies again for the delay. As I was working on polishing the audio for these pieces, my friend and fellow composer/organizer for these concerts, Young-Shin Choi, sent me the versions that he made, and they sound great! Thanks Young-shin!

These concerts were a wonderful experience, and the hard work of all the participants (and many secret supporters on the sidelines) made them a great success. It’s truly a joy to be able to work together with performers and professionals of this caliber in producing our art. I look forward to doing it again soon!

Ewha, Nabi (2009)

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Hye Jung Yoon, Soprano;
Yu-Sun Kim, gayageum.

right-click here to download video

Gwangpunge deollin ewha omyeo gamyeo nali daga
Gajie motoreugo geomijule geolligeoda
Jeo geomi nakhwain jul moreugo nabi jabdeut hareonda.

Falling pear-blossoms whirl madly about in the wind,
Unable to return to the tree; they are caught in spiders webs
And those spiders pounce on them, thinking they are butterflies

-Yi Chongbo (1693-1766)

five (2009)

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You-Jin Chung, piri;
Yu-Sun Kim, gayageum;
Noah Meites, flugelhorn;
Daniel Brown, cello;
Emma Heffernan, violin.

Things in sets of five:
toes,
flower petals,
quintuplets
diamond rings,
quintets.

This piece was written for the 2009 concert series, “consonance,” with performances in Japan in Korea. For some time now I have been fascinated by the potential for international interchange through music, and, with the help of my wonderful friends and colleagues, I have been fortunate enough to have opportunities to try to enact this dialog.

And, finally, as a bonus, here’s the fixed-media version of “Ewha, Nabi.”

Ewha, Nabi (2009)

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consonance photos

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I’ve arrived back in Eugene after my summer travels and have been working through the 300-something eMails in my inbox that need to be addressed.

I’m taking a break now to update this page because it’s been a long time since the “consonance concerts” have been “coming up.”

We’re still working on making the best possible audio files from the three concerts, but I wanted to post a few photos from the concerts in the meantime.

Enjoy!

click on the “comments” link for more photos.