Reaktor – Page 2 – Simon Hutchinson

21 February 2022

Vector Synthesis in Reaktor 6 Primary (Make your own Prophet VS?)

Using Reaktor 6 to build a synth with XY timbre controls.

The term “Vector Synthesis” was coined to describe Sequential Circuits’ 1986 Prophet VS synthesizer. This synth included a joystick with two dimensions of control that allowed for dynamic, real-time control of the timbre of the instrument by cross-fading between its wavetables.

Here, let’s steal that idea of X/Y control over timbre, and see if we can make a quick Reaktor synthesizer with the same real-time interactivity.

0:00 What is Vector Synthesis?
1:28 XY Plane
2:30 XY Controlling One Oscillator
3:59 Crossfading Oscillators
6:12 2D Crossfading
9:34 Different Waveform in Each Corner
13:50 Adding a Filter
14:37 More Sophisticated Oscillators
16:00 Polyphony
16:49 Next Steps

Reaktor 6 Beginner Tutorials here
More Intermediate Reaktor Tutorials here

10 January 2022

Basic FM Synthesis in Reaktor 6 Primary

Building a basic but expandable FM synthesizer in Reaktor 6, making an FM operators that we can duplicate as much as we want.

In FM synthesis, we modulate the frequency of one oscillator (the carrier) with another oscillator in the audible range. We can make an FM synth in Reaktor that’s modular and quickly expandable if we make a macro with the oscillator, an envelope, and a few special controls at the FM input.

0:00 Intro / What is FM Synthesis?
1:30 Sine Oscillator with Amplitude Envelope
3:14 The “F” Input of Sine FM Oscillators
4:20 Modulating the Frequency
5:24 Modulating the Frequency in the Audible Range
6:13 Adding Musical Controls
11:50 Combining Our FM Operators
13:01 Sideband Modulation with Envelope Control
16:12 Chaining FM Operators Together
19:48 Recap / Next Steps

Reaktor 6 Primary Resonant EQ (Faking the Serge Resonant EQ in Reaktor)

Building a resonant EQ in Reaktor Primary, taking inspiration from the Serge Resonant EQ’s unevenly-spaced frequencies and nonlinear controls.

In my regular journeys across the internet, I came across the Random*Source Serge Resonant EQ, a reissue of the resonant EQ from the Serge Synthesizer, and became a bit taken with its implementation and ideas. $400 is a bit too much for an impulse buy, so let’s see what we can do in Reaktor.

Even if we don’t end up with something that sounds perfect, we can use this as an opportunity to think more about subtractive synthesis, and talk about “parametric support” in our control schemes.

0:00 Purchase Your Way to Music Proficiency!
0:43 Random*Source Serge Resonant EQ
1:14 What’s interesting about this?
2:59 Disclaimer
3:22 Reaktor Primary Peak EQ
5:00 “Boost” vs. “Resonance”
5:53 Making Selectable Sound Sources
8:18 Throwing in an Oscilloscope
8:49 Starting the Resonant EQ Macro
9:28 Creating a Single Band
11:24 Level Controls to Avoid Clipping
13:13 One Knob for Resonance and Boost
14:28 “Funny Math”
21:13 Recapping the Flow / Fine Tuning
22:49 Duplicate! (for each frequency)
23:23 Setting the Frequencies
25:09 Adding a ByPass Switch
25:53 Sound Test
27:14 Saturator
28:04 Waveform Variance Across Instrument Range
29:38 Feedback
35:30 Next Steps

25 October 2021

Making a “Subharmonicon” in Reaktor

Building a subharmonic synthesizer in Native Instruments’ Reaktor 6 Primary inspired by instruments like the Mixtur-Trautonium and Moog Subharmonicon.

Subharmonics are frequencies that are whole-number divisions of a given frequency (in contrast to harmonics, which are whole number multiples of a frequency). While harmonics naturally occur as part of the timbre of a sound, subharmonics, when introduced, sound like distinct pitches, allowing you to create chords of harmonically-related notes.

This tutorial walks you through making a set of subharmonic oscillators and envelope filter like the ones on the Moog Subharmonicon.

More on harmonics and additive synthesis here.

21 June 2021

Reaktor 6 Primary “Krell Music” Generator (Sci-Fi Ambient Music)

Using Reaktor 6 Primary to create some generative Sci Fi music inspired by Todd Barton’s “Krell Music” patch on the Buchla Synthesizer.

As I mentioned last week, in my regular journeys across the internet, I came across the concept of a “Krell Music” patch–a self-generating patch created by Todd Barton, inspired by Bebe and Louis Barron‘s soundtrack to the 1956 film “Forbidden Planet.” The Barrons’ soundtrack to the film is amazing, and a bit beyond what I can get into here (see links below). Barton’s Buchla patch tries to capture some of the dynamic timbres of that score.

My oversimplification of the idea is this: a note has an amplitude envelope–attack and release–and when that amplitude envelope ends it triggers the next envelope. At the same time, that trigger selects a new (likely different) attack and decay time, as well as a new pitch and timbre for the next note. So we create a continuous series of musical tones, each distinct from the one before it. So let’s make that in Reaktor 6 Primary.

7 June 2021

Making a Wavefolder in Reaktor 6 Primary

In this week’s video, we make a wavefolder in Reaktor, slowly adding features, and testing out some different types of waveforms.

It’s not terribly effective to filter sine waves, since they only consist of a single frequency, but, using a wavefolder, we can add harmonics, and create a rich, customizable sound.

Wavefolding is distortion of a waveform where, when the input amplitude exceeds a threshold, it becomes inverted. This adds harmonics to the sound (specifically odd harmonics), and, by controlling the amount of fold, we can modulate these in real time.

1 November 20204 January 2022

Reaktor 6 Primary Tutorials

I’ve put together a series of beginner tutorials for getting started designing your own synths in Reaktor 6 Primary.

Over the course of this series, we put together a synth with selectable oscillators, filters, and multiple options for modulation. This can serve as a good hands-on introduction to synthesis in Reaktor or any other synthesis environment.

EDIT (1/4/22): If you’re ready for more, here are some intermediate tutorials too: